With the Global Government agenda now fully exposed and with millions of
people world-wide awakening to the evil that has taken a grip on
humanity, we are charged with staying one step ahead of the game in
order to continue exposing these monkeys of evil. It is also incumbent
upon us truth seekers to be equipped with effective thought processes
for handling the tactics the Global Government monkeys employ for
advancing their agenda.
These thought processes must be intellectually sound, based on objective
observation, historical comparisons, intuition and proper application
of wisdom. Applying these techniques will quickly differentiate the
truth seeker from the ‘establishment zombies’ who go by many other names
such asbrain-washed-TV-watchers, those who are not yet awakened and are
still politically asleep, the naïve masses, programmed and conditioned
gatekeepers, and the gullible.
Though I mordantly use the term ‘establishment zombies’ here, I
generally refer to this segment of society as the ‘mainstream media
believers’ who are generally ‘brain-washed-TV-watchers'. I use the term
‘mainstream media believers’ because it cuts more to the chase and I
firmly believe that right now the most important thing any human being
can do to be mentally and spiritually free is to recognize that the
mainstream media IS the government mouthpiece and that they ONLY put out
news stories that are consistent with their agenda. This realization
will then allow a proper understanding of the context and purpose of
this article.
My apologies for letting loose with the term
‘establishment zombies’, a term usually reserved for the Barry Soetoro
supporters who adamantly do not see any traces of lies, tyranny, fascism
and Constitution destruction in his 4+ year tenure; a colossal
phenomenon of denial that should impress any student of psychology or
human behavior. Ironically, zombie figures wildly represent destructive
creatures that resemble humans but without the positive energy that
makes us human. Zombies operate in one mode, primarily that of seeking
food and lower forms of pleasure, are non-negotiable, and are not prone
to reason.
I preface this article with the all-important issue of "believing the
media" because I want to emphasize that the establishment media, which
acts as a direct mouthpiece for the government, is not interested in the
cause of the people. Let’s consider some important points regarding
mainstream media news.
A. We must first acknowledge that stories don’t get released to
the public because of how much truth they represent. If someone believes
that truth is one of the measures that determines if a story gets put
on the news then you might as well quit reading this article. Truth is
not taken into consideration when the mass media puts out a story. The
media gets caught in lies and inconsistencies all the time and they
simply patch things up with another lie, or more often they simply
ignore the more important stories. This is how the media operates and
every truth seeker has probably realized this by now.
B. Second point regarding mainstream media news is that pieces of
news that are put out through all the local, national and global
networks are put out because this is what they WANT you to see and hear.
Sounds simple? It is that simple. These stories follow similar
selection processes as the program of events at the Oscar Awards,
Grammys, Saturday Night Live or any other presentation. Presentations
have an order to them and an intended purpose that has been calculated
and considered by others in control of the presentation. The
presentation given to you on the TV news last night underwent a
screening process and had to QUALIFY for that position ahead of other
stories.
With
that said, many of us know that celestial events have been happening as
long as humanity can remember. In this Internet age it isn’t very
difficult to watch hours, days or weeks full of videos, articles and
documents confirming events involving strange objects in the sky,
unusual sightings, all the way down to testimonies of people claiming to
have seen or encountered non-human entities. Yet for the most part, in
the realm of Establishment Entertainment and general public
presentations these events have been limited to special Sci-Fi channels,
History Channel, National Geographic or other networks but never part
of ‘reality’ mainstream media news. For as long as we can remember the
mass media and politicians demonize as a lunatic anyone who makes claims
of seeing UFOs or Aliens or anything similar. Until now that is….
Enter the next level of deception to advance the Global Government plans.
Some questions to consider:
How do you get the masses to accept a martial law takeover?
How do you move masses of people from one part of town to another?
How do you move the masses from one part of the country to another?
How do you get people to willingly leave their houses to transfer to a facility owned and operated by government? OR
How do you get the masses to sing for joy on their way to their concentration camps?
Answer:
All of these can be accomplished with a threat of disaster from a
celestial event. One that justifies a national ‘State of Emergency’
The Obama administration already has put into place laws for taking control
of every form of resource known; and the ONLY thing stopping the
administration from using this power is a proper emergency state that
goes above and beyond the phony war on terror. I believe that Celestial Events
(as already shown to us by the Government’s Cinematic Mouthpiece
[Hollywood] in several movies) IS the next bogey monster and we are
seeing the beginning of this government mouthpiece phenomenon.
As mentioned, the government’s cinematic mouthpiece led the way several years ago with movies like 2012, Armageddon, Deep Impactand others; and now the media mouthpieces are following up the cinematic presentations by suddenly admitting to UFO sightings, regularly putting out stories about space events, and now the sensational Russia Meteor/Asteroid story. The scary part of the Russia Meteor story is to see all the mainstream media government mouthpieces
synchronously reading to us from the same script trying to scare us
about the danger of the Asteroid that nearly hit Earth. As usually is
the case, their lies find ways of being exposed early on as at least one
important Russian political figure challenged the authenticity of the story.
To measure truth one must first begin by considering the source. I for
one am not buying any of these celestial events stories. These stories
represent the next level of lies, and let’s all keep in mind the
December 2012 Air Force launching of their Secret Space Plane
which no one otherwise questioned. This ‘secret’ plane may likely be at
the center of, or a link to, many things that are happening now and yet
to come.
Let’s not be fooled and let’s remind ourselves that historically
governments lie and have everything to hide. Without hiding what they do
they would have no power. Let’s also remember that the government media
mouthpieces only tell the masses what they want you to hear. Right now
my cognitive process, intuition, objective analysis of mass media
history in this country, and proper application of wisdom tells me the Monkeys are launching their next level of deception. I say bring it on, and may the best of humanity win.
Note to the Globalist Monkeys with their media and cinematic mouthpieces
You’ve
shown us what you want to do, you’ve put it in your movies. You’ve
fantasized about it for decades, you know your time is coming and you
know humanity is waking up to your evil ways. Go ahead and do whatever
you are going to do, try shooting us down from space and blame nature.
Go ahead and continue tampering with nature. We live by faith, we will
stand by truth, and we will expose you and stay positive, hopeful and
strong. We will say NO to your low-vibration fear, doom and gloom; we
will turn off your TV shows and media presentations and we will
intellectually bring down your shills who run from us while hiding in
the ‘comment’ sections of our articles. We represent truth and we are
everywhere and anywhere.
We are the homeless who have no food, we work in high places and spend a
lot of money, we work in your chambers, we are black, we are white, and
we are yellow, brown and red. We speak many languages and keep record
of your agenda's advancements and we share the knowledge of the truth
knowing that no one person knows or has it all, but together we are
strong. We rejoice in knowing that today more people are awakened to
your evil plans than yesterday, and tomorrow more people will be
awakened to your evil plans than today. This gives us a mathematical
formula for victory as we can confirm that the conscious awakening is
real, is a chemical and physiological phenomenon and thus follows the
rules of nature. These rules dictate that the ‘awakening’ process is a
live, moving form of energy which is moving in a positive (growing)
direction.
For now, we’ll keep looking up to the sky for the next event which I’m
sure can come at any time or perhaps when it is most convenient to the
globalist monkeys. We haven’t forgotten Super Storm Sandy and we’ll be
waiting for the next engineered storm, massive earthquake, triggered
tsunami, meteor or asteroid and we’ll be thinking of the globalist
monkeys. They are engineering all of these events until proven
otherwise.
Bernie Suarez is an activist, critical thinker, radio host,
musician, M.D, Veteran, lover of freedom and the Constitution, and
creator of the Truth and Art TV project. He also has a background in psychology and highly recommends that everyone watch a documentary titled The
Century of the Self. Bernie has concluded that the way to defeat the
New World Order is to truly be the change that you want to see.
Manifesting the solution and putting truth into action is the very thing
that will defeat the globalists.
- See more at:
http://www.activistpost.com/2013/03/operation-end-of-world-engaged.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+ActivistPost+%28Activist+Post%29&utm_content=Google+Reader#sthash.xmoEZhMa.dpuf
Jay Weidner made quite a splash with his documentary Kubrick's Odyssey, in which he argued that Stanley Kubrick was shanghaied by NASA to help create a cinematic and photographic simulation of the Apollo missions for public consumption.
Weidner argues that 2001: A Space Odyssey was essentially Kubrick's R&D project for a much bigger-budget production set to be filmed within the gates of Nellis AFB's Area 51 and that his wildly unfaithful adaptation of Stephen King's novel The Shining was his cinematic mea culpa, confessing to the con.
Contrary to what some have assumed, Weidner is not arguing that the NASA did not land men on the Moon, but that the Apollo missions were a cover for a secret space program. Having reviewed a lot of Apollo skeptics' arguments I have to say I find them all pretty compelling on one level; the footage and the photos are problematic, to say the very least.
The Establishment's response to Weidner and the more radical skeptics who insist that human spacecraft have never left low-earth orbit has been weak; the usual mix of of outrage, dismissal and ridicule. I found it particularly rich that The New York Times lambasted Weidner for his conspiracy theorizing, given that their own conspiracy theorizing helped start the Iraq War.
But looking at the Apollo hardware I can't shake the feeling it's all Hollywood. I can't imagine three adult men spending any amount of time in that flimsy looking stuff, never mind all the life-support gear and moon buggies and all of the rest of it.
And given the highly specialized and regimented nature of a giant bureaucracy like NASA, the only people who needed to be in on the scam would be the high echelon in Mission Control and the astronauts themselves.
We all know there is a secret space program; the only question is how deep it all goes. My assumption has always been that there were two missions, showtime with the Apollo and a real mission, using much more serious military hardware that's a lot bigger, heavier and much less telegenic. I doubt very much that the real mission involved much golf playing or picture taking.
One of the most dangerous myths of our time is that the government can't keep secrets. The whole notion that the government can't keep secrets is a comforting conceit for delusional folks who still believe we live in an open society. Having grown up with a grandfather who worked as an engineer for MITRE I know that the government can in fact keep secrets, and has a whole kitbag of punishments for people who can't.
Besides, a lot of people seem to feel that the Apollo 1 fire and the subsequent deaths of other astronauts and NASA personnel was a pretty good motivator for any potential whistleblowers to keep their concerns to themselves.
THEY'RE WATCHING US
But there is a major stumbling block for Apollo skeptics; this was during the Cold War. The Russians and the Chinese were watching NASA's every move, and had the expertise, the technology and most certainly the motivation to call bullshit on any chicanery.
I have no doubt that every intelligence agency in the world was poring over every frame of imagery being released from these missions, since the idea of establishing missile bases on the Moon had a lot of currency at the time.
Exposing a faked Moonshot would be a propaganda coup like no other, especially given the fact that all of this was going on during the height of an extremely unpopular war that was in danger of making the USA an international pariah. Add the assassinations, the race riots and the general civil unrest, and a scandal over a faked Apollo mission might well have been a tipping point for a revolution in this country.
And yet, most people who aren't totally beholden to whatever received authority wants them to think (meaning non-skepdicks) can at least look at all of the evidence gathered by the Apollo debunkers and think there might something to it all, right? If that's so, then what would have motivated the Soviets et al to go along with the charade?
To try to answer that question, I want to return to 2001: A Space Odyssey and share with you again my interpretation of what Kubrick is putting onscreen. I realize there has been a parade of writers telling us what Kubrick was "really trying to say" in the film. But as before I'm going to stick as close as I can to the actual narrative of the film itself, since what's actually onscreen is a lot more subversive than any symbolic rendering of the text.
Well, with one major exception, that is. And that's where we'll start.
THE DAWN OF ROSWELL
Weidner's thesis is that Kubrick's technical acumen in dealing with military hardware in his 1964 antiwar satire Dr Strangelove Or: How I Learned to Stop Worrying and Love the Bomb first brought him to NASA's attention. From a review by Andrew Griffin:
Dr. Strangelove, notes Weidner, “made fun of the Pentagon, the generals and their various war plans” and while this irritated the Defense Department, they were more amazed that Kubrick had pieced together what a B-52 looked like on the inside by looking at pictures in military magazines.
Because the U.S. Government, through NASA, was hellbent to get a man on the Moon before the end of the 1960’s, as President Kennedy had promised, and because they wanted to prove to the Soviet Union that the U.S. was going to win the space race, they had to have some insurance – a way to prove, at least to the public and the world – that the U.S. had the technology and wherewithal to get to the Moon.
That’s where Kubrick comes in. Impressed with his work on Dr. Strangelove, Weidner speculates that Kubrick made a deal with the U.S. Government to fake the Apollo Moon landings – with Apollo 11 ultimately being the first one to land in July 1969.
Weidner himself argued in 2009 that JFK's race to the moon was inspired less by Sputnik and more by shall we say more exotic technology:
Soon after seeing the flying saucer technology JFK made his famous speech asking NASA to land a man on the moon before the decade was out. Many insiders believed that this was a ploy by JFK to get NASA and the secret government to release their saucer technologies.
Since it was obvious to everyone that standard rocket technology could not get man to the moon and back, JFK may have thought that NASA would be forced to release the knowledge of the flying saucers in order to get to the moon by the end of the 1960's. JFK's ploy was therefore intended to free this advanced technology from the insidious hands of the shadow government.
Adding yet another log into our wacked-out conspiracy theories undergirded by inconvenient facts bonfire, I'll point to this 2011 bombshell.
An uncovered letter written by John F Kennedy to the head of the CIA shows that the president demanded to be shown highly confidential documents about UFOs 10 days before his assassination.
The secret memo is one of two letters written by JFK asking for information about the paranormal on November 12 1963, which have been released by the CIA for the first time.Author William Lester said the CIA released the documents to him under the Freedom of Information Act after he made a request while researching his new book 'A Celebration of Freedom: JFK and the New Frontier.'
Now Weidner argues that Kubrick was essentially given the keys to the candy store when he made 2001: A Space Odyssey. His writing partner was of course Arthur C. Clarke, (original author of the story the film was ostensibly based on) who was plugged into all kinds of spooky networks- science, military, intelligence, you name it. Weidner also claims that Kubrick and Clarke were given access to the NASA inner circle-- including the Paperclip boys-- and told all kinds of interesting stories.
Anyone who spends anytime looking into the UFO phenomena has probably seen the words "Project Blue Beam" - often misspelled - show up when any aerial anomalies are being discussed online.
"Blue Beam" has become such a catch-all that it's now applied to any sighting, no matter how trivial. It's also been stretched to explain phenomena that have nothing to do with UFOs at all. You often see it conflated with HAARP, a very real program that's also been stretched to explain anything that might otherwise require actual thought to deal with.
We saw any number of claims that the balloon show on October 13 was itself the work of this mythical Blue Beam, even though the event itself has little to do with the claims of the original "Project Blue Beam" essay, which was published online by the radical Fundamentalist and Quebec separatist Serge Monast. "Blue Beam" has been dated to 1994, but I don't remember hearing anything about it until at least 1996, when Monast died of an apparent heart attack. But 1994 is very, very important to the chain of events we're going to look at in this piece.
First, a series of artificially created earthquakes at "certain precise locations on the planet," which will uncover archaeological evidence that will "be used to discredit all fundamental religious doctrines."
Second, we will be subjected to "a gigantic space show." This will involve "three-dimensional optical holograms and sounds, laser projection of multiple holographic images to different parts of the world, each receiving a different image according to predominating regional national religious faith. This new ‘god's’ voice will be speaking in all languages.” These staged events will show the "new Christ" or Messiah, and will be a false Second Coming.
Third will be the "Telepathic Electronic Two-Way." This involves "telepathic and electronically augmented two-way communication where ELF, VLF and LF waves will reach each person from within his or her own mind." These communications will fake a communication from god.
Fourth, according to Monast, would be "the universal supernatural manifestation with electronic means." He said it would take on three specific "orientations." One would simulate an alien invasion, which would then provoke nations with nuclear weapons to strike back.
Dolan quoted extensively from Monast's writings so that reasonable individuals could get a measure of the man and the extremist religious views that dictated his view of world events:
I included this long passage just so that you could get a whiff of the mind of this man. Very intense, no understanding of science. At no point in any of Monast's writings is anything like evidence offered for any of this. To say nothing of the fantastic capabilities he attributes to NASA or the United Nations.
The logistics of the various sky shows also seems daunting, to say the least. First there is the false alien invasion scenario -- presumably this could be done with a fleet of black triangles, although could they blanket the world? Doubtful. But then, regarding the religious fakery, are "they" really going to blanket the world with holographic images of, what -- God? Jesus? Krishna? Allah? All the while sending a message into our brains via extra low frequencies in all languages of the world? All in a way that convinces us to abandon our previously held faiths?
What Dolan may not have realized it is that Monast - rather, the mischeivous spooks who fed him the whole Blue Beam scenario in the first place - was/were borrowing plots points left, right and center from another source.
We'll get to that in a moment, but first Dolan took the time to dismiss most of the current Blue Beam theorizing as regurgitated bullshit:
None of these sites offer anything resembling evidence to support the alleged existence of Blue Beam. I am not asking for proof, only evidence. And I see nothing.
Well, there is evidence of Blue Beam, only it comes from a source one would never confuse with Jane's Defence Weekly or Covert Action Quarterly. For some deep background on all of this alleged devilry, let's travel back to 1994.
RECYCLED STAR TREK SCRIPTS
Not long before Serge Monast stunned the conspiracy circuit with his "Project Blue Beam," a book was released on Star Trek creator Gene Roddenberry. It recounted information that hardcore Trekkers were well familiar with; Roddenberry's proposed Star Trek feature film script from the mid-70s:
"In May 1975, Gene Roddenberry accepted an offer from Paramount to develop Star Trek into a feature film, and moved back into his old office on the Paramount lot. His proposed story told of a flying saucer, hovering above Earth, that was programmed to send down people who looked like prophets, including Jesus Christ.
Gene Roddenberry: The Myth and the Man Behind Star Trek by Joel Engel, p.165, Hyperion, 1994
Shortly thereafter, Monast writes of a very similar situation- a satellite that will project images of holy figures:
With computer animation and sounds appearing to emanate from the very depths of space, astonished ardent followers of the various creeds will witness their own returned messiahs in convincing lifelike reality.
Then the projections of Jesus, Mohammed, Buddha, Krishna, etc., will merge into one after correct explanations of the mysteries and revelations will have been disclosed.
So, already we see two of Monast's Blue Beam claims - an alien "invasion" and a false reappearance of the Earth's major historical prophets - taken straight out of the Star Trek script.
How are these images of these gods to be received? In both cases, telepathically.
Monast again, 1994: The advancement of techniques propel us toward the third step in the Blue Beam Project that goes along with the telepathic and electronically augmented two-way communication where ELF, VLF and LF waves will reach each person from within his or her own mind, convincing each of them that their own god is speaking to them from the very depths of their own soul.
Roddenberry, 1976: "On the planet below, people are beginning to receive mental impressions of a returning God."
Monast, 1994: "The first is the 'space show.' Where does the space show come from? The space show, the holographic images will be used in a simulation of the ending during which all nations will be shown scenes that will be the fulfillment of that which they desire to verify the prophecies and adversary events.
"One is to make mankind believe that an alien (off-world) invasion is about to occur at every major city on earth in order to provoke each major nation to use its nuclear weapons in order to strike back."
Roddenberry, 1976:"At the same time a huge object, one thousand times larger than a starship, is moving toward Earth, knocking off the U.S.S. Potemkin and hurtling a cluster of asteroids toward Earth. Kirk, now a grounded admiral, assembles his old crew (all of whom have risen higher in rank), and they take the newly refitted Enterprise on a mission of interception with the alien claiming to be God."
The whole point of all of this is to convince the world that these computers on these orbital platforms are the work of God, but it's all a grand deception. In both cases:
Monast, 1994: The result of these deliberately staged events will be to show the world the new 'christ,' the new messiah, Matraia (Maitreya), for the immediate implementation of the new world religion. Enough truth will be foisted upon an unsuspecting world to hook them into the lie. "Even the most learned will be deceived."
Roddenberry, 1976: "The Object turns out to be more than just a vessel--it is a computer form so advanced it is a living entity itself. However, we discover that this God they've worshipped is actually the Deceiver, the computer-programmed remains of a race who were "cast out" from their dimension and into this one."
Roddenberry quotes taken from The Making of Star Trek-The Motion Picture, by Susan Sackett and Gene Roddenberry, Pocket/Wallaby, 1980
So again, Monast's Blue Beam is essentially the same as Roddenberry's "God Thing." Both are computer programs on orbital platforms creating electronic visions and apparitions, tailor-made to the beliefs of certain populations. The difference is that Monast chalks it all up to NASA while Roddenberry was describing a malfunctioning alien craft:
Monast, 1994: "Computers will coordinate the satellites and software already in place will run the sky show. Holographic images are based on nearly identical signals combining to produce an image or hologram with deep perspective which is equally applicable to acoustic ELF, VLF and LF waves and optical phenomena." Roddenberry: "Somewhere out there," [Gene] starts off, his eyes widening as he continues, "there's this massive ... entity, this abstract, unknown life force that seems mechanical in nature, although it actually possesses its own highly advanced consciousness. It's a force thousands of times greater than anything intergalactic civilization has ever witnessed. It could be God, it could be Satan, and it's heading toward earth. It demands worship and assistance, and it's also in a highly volatile state of disrepair."
Star Trek Movie Memories by William Shatner with Chris Kreski, HarperCollins, 1994 (note publication date)
Themes from Roddenberry's unused script were recycled throughout the franchise's history, including the ST: TNG episode "Justice" and the now-notorious Star Trek V: The Final Frontier. Then there was the Next Generation episode, "Devil's Due," which was one of the highest rated episode's in the series history.
This episode, which ran in 1991, had even stronger echoes of Monast's 1994 "Blue Beam" theories. Here's the synopsis:
The USS Enterprise-D responds to a distress signal from a science station on Ventax II, where the planet is in chaos over the return of a being who claims to be that culture's "devil."
Not coincidentally, that devil is there to install a new world order on the alien planet. Which brings us to Monast's "Blue Beam" denouement:
The second is to make the Christians believe that the Rapture is going to occur with the supposed divine intervention of an alien (off-world) civilization coming to rescue earthlings from a savage and merciless demon. Its goal will be to dispose of all significant opposition to the implementation of the New World Order in one major stroke, actually within hours of the beginning of the sky show!
Again, this is the same scenario we see before in "Devil's Due," which is based in themes Roddenberry first explored in his God Thing script. The parallels continue: Monast writes in Blue Beam that "the first step in the NASA Blue Beam Project concerns the breakdown [re-evaluation] of all archaeological knowledge. It deals with the set-up, with artificially created earthquakes at certain precise locations on the planet."
Monast's 1994 claims of a "supposed divine intervention of an alien (off-world) civilization coming to rescue earthlings from a savage and merciless demon" is exactly what we see in 1991 in "Devil's Due." And the earthquakes? :
"In fact, it is soon learned from Jared that a mob is holding the rest of the science team hostage, claiming prophecies have come true: a shaking of the cities caused by minor earthquakes, and many visions of her have been seen."
Watching "Devil's Due," it becomes more and more difficult to discount the parallels between it and the Blue Beam theories:
Monast: The Blue Beam Project will pretend to be the universal fulfillment of the prophecies of old, as major an event as that which occurred 2,000 years ago. In principle, it will make use of the skies as a movie screen (on the sodium layer at about 60 miles) as space-based laser-generating satellites project simultaneous images to the four corners of the planet in every language and dialect according to the region. It deals with the religious aspect of the new world order and is deception and seduction on a massive scale.
In "Devil's Due," Ardra uses the same technology- holograms (including making "use of the skies" to hide the orbiting Enterprise), projections and artificial earthquakes, etc to convince the Ventaxians that she has come to fulfill their prophecies.
"According to the legend, Ardra made a deal with the Ventaxians 1,000 years prior: a millennium of peace and tranquility, the end of war, poverty and famine which at that time plagued Ventax II; in exchange she would lay claim to the planet and enslave its inhabitants upon her return."
As with Blue Beam, Ardra can present herself as different figures, using holographic technology:
When Picard beams down to the planet to try and stabilize the situation, Ardra herself appears before him. She claims to be a manifestation of evil in all cultures, showing great power with "supernatural" abilities, such as showing her devilish form off in the form of Fek'lhr.
Again, Monast claims that the whole show will be conducted from computers stored on hidden satellites:
"Computers will coordinate the satellites and software already in place will run the sky show. Holographic images are based on nearly identical signals combining to produce an image or hologram with deep perspective which is equally applicable to acoustic ELF, VLF and LF waves and optical phenomena. Specifically, the show will consist of multiple holographic images to different parts of the world, each receiving a different image according to the specific national, regional religion. Not a single area will be excluded. With computer animation and sounds appearing to emanate from the very depths of space, astonished ardent followers of the various creeds will witness their own returned messiahs in convincing lifelike reality."
During her testimony, Ardra argues her case by demonstrating her various "powers". This gives Geordi La Forge a location of the power source: a ship in orbit above the western magnetic pole (hidden from sensors).
La Forge informs Picard during a recess that he has identified the ship. By the time the recess ends and Picard further questions Jared, Ardra's ship is in his control...and he manages to use her ship's powers to perform all of her tricks. Using the data from her ship's computer, he explains that she is a sector-wide flim-flam artist, who was about to win the largest prize of her career.
He explains that her "powers" were nothing more than a combination of force field projection, holography, and transporter effects, all controlled by implants that allow her eyes to control the illusions.
Information on this story linking it to Roddenberry's earlier plans for the Star Trek feature film and TV series was published in 1992:
This episode was originally written as an episode for the unproduced series, Star Trek: Phase II. In the Phase II script, set on the planet Neuterra, Kirk was the arbiter for the people and the Enterprise computer was the judge. The Ardra entity was a male being called Komether. (Star Trek: The Next Generation Companion)
And though it's not generally linked to the aborted feature film, we see similar aliens imitating deities in Star Trek V:
Sybok and many of his followers believe they have found heaven, and Sybok takes a shuttle down to the planet's surface with Kirk, Spock, and McCoy. There they encounter a mystical being who introduces himself as God, and asks them to bring their starship closer to him so that he can "join" with it.
Though Sybok is convinced, Kirk immediately smells a rat: "Excuse me, what does God need with a starship?" The being is enraged at Kirk's refusal to cooperate, attacking him and Spock, who supports his captain. Disillusioned by the fake God and angry at himself for putting everyone in danger, Sybok sacrifices himself to buy the others time to escape.
So in conclusion, all of the major claims made by Monast concerning "Project Blue Beam" have direct and well-documented antecedents in Star Trek, dating back to 1976.
Much of the information on Roddenberry's aborted Star Trek movie script was released in several different books in 1994- the same year that "Project Blue Beam" was allegedly published.
That's much too much of a synchronicity for my liking.
WAKE UP AND SMELL THE SPOOKS
Being familiar with how the intelligence agencies use the conspiracy media to disseminate false information, I'd say that "Project Blue Beam" could well have been a disinfo project fed to Monast and possibly others as part as an overall campaign. I doubt most of it is actually his research (apart from the religious editorializing) and there's enough verifiable (yet only tangentially connected) information tossed in to give it an air of credibility. Religious hysterics like Monast obviously never need real evidence to buy into a juicy theory, so the original authors didn't need bother making any up.
There's your "blue beam."
Even so, there are a few in-jokes that seem like Monast's ghost writers were having a laugh: Star Trek and a "tractor beam" (a term first heard on ST) are mentioned, as a well as an article titled "The New Mental Battlefield: Beam Me Up, Spock." This is exactly the kind of nod-and-wink that leads me to believe that "Blue Beam" could well have been cobbled together by a bunch of spooks - who just happened to be Trekkers - and then fed to Monast for distribution.
Dolan knows this world better than anybody and what he says is dead on- "Project Blue Beam" isn't supported by a shred of evidence, never mind proof. It doesn't make a drop of sense. We've debunked all of the crapola about "Lord Maitreya" and the "New Age One World Religion" (which Monast opens his essay with), and we're seeing Monast's own religious beliefs being championed and bankrolled by Communist China, no less. Needless to say none of that lends any weight to "Blue Beam's" already shaky credibility. Will any of this dissuade most of the Blue Beam aficianados out there in Cyberspace?
I have absolutely no doubt that it will not.
UPDATE: Richard Dolan checks in:
Outstanding article and analysis. I used to watch Star Trek the Next Generation back in the day, but had completely forgotten those episodes. All of us are greatly indebted to you for shedding light on this topic.
I think we can all agree that 'false flag' operations can and do occur. But no theory is allowed to be impervious to evidence, otherwise we are led to sensationalism and fear-mongering.
The possibility that Monast was fed these ideas by the intel community is surely something to consider. But I still think it's just as likely that Monast himself cooked this up out of his fevered imagination. I'm just not sure.
But the main connection to the Star Trek mythos.... I think there is no question that you nailed this one.
Anyhow, I do think there is a conspiracy, but it is the reverse. It is the comment about Bluebird that put that idea in my head. If there is a conspiracy, it is that people are purposely spreading the lie of Blue Beam so that if some big UFO event does ever happen (not likely an invasion), they can have people believe it was Blue Beam and not real UFOs.
I couldn't have said it better myself, Lesley!
UPDATE:The state of the art for hologram technology circa 2010? A 17-inch screen.The skies will have to wait.
UPDATE 4/24/11:The author of the RationalWiki Blue Beam entry is deceiving you as to the source of the Star Trek/Blue Beam expose. I didn't "notice" it too - I discovered it and published it first. "Skeptics" (the phony kind, like that pedantic pedagogue Randi) are the moral equivalent of Fundamentalists like Monast, so I'm not surprised at all by the deception.
My history with Ancient Astronaut Theory is by no means a straight path. Being a child of the 70s who devoured whatever weirdo pop culture he could get his mitts on (sci-fi paperback and magazine covers were to me what the Christian icons were to Byzantium), I couldn't avoid AAT since it was everywhere. Especially in comics, with Jack Kirby's various AAT ruminations, Tragg and the Sky-Gods, and so on and so forth. It was all over the UFO mags I pored over at the newsstand but could rarely afford. The Reaganism and the religious right put a stop to all of it and sent popcult AAT to the Saturday morning TV ghetto.
I picked it up again during my UFO phase, starting around '88 and lasting up until the first season of The X-Files, when I didn't need to go searching used book stores to get a decent fix, it was on my idiot box every Friday night at 9 (well, more or less). Which is not to forget Sightings, which I watched religiously.
But my big obsession throughout the 90s and beyond was esoterica, secret societies, conspiracies, that kind of thing. That all sort of culminated in Our Gods Wear Spandex, as I realized that nearly everything I was reading about in Gnosis or Paranoia had already been explored in the comics I read in the 70s.
AAT reared its head again during the mid-90s, since it was such a central part of books like The Gods of Eden and Rule By Secrecy as well as some of the more wild stuff on USENET and the like, all of which stemmed from the Sitchin material.
But there was something missing for me-- there were pieces of the puzzle I couldn't find and didn't know where to look for them. So not long after this mini-comic was completed I kind of walked away from AAT. So much so that when The X-Filesdived into the AAT lagoon in late '99 I already saw it as something in my past.
This blog documents the process in which I began to re-process the AAT exegesis, although staying removed from it (like here) began to realize it was encoded in the symbolism I was obsessing over (like here) and finally where I kind of put all the pieces together, at least the ones I had at my disposal (like here).
This mini-comic (which I only sent to a small circle of friends) documents a time (early 1997) when I was trying to make sense of the theory using my old technique of explaining something to someone else in order to explain it to myself.
It was drawn at a time when I was too busy with advertising and toy packaging to do any comics work but wanted to stay familiar with the tools (crowquill, brush). I still had designs of doing comic work, not realizing that by exploring these kinds of ideas I had already divorced myself entirely from what fandom had become (as opposed to the hippie/weirdo fandom of my childhood).
I was also obsessed with the work of Larry Gonick at the time and the influence is pretty obvious (and would surely horrify him, which I now relish the thought of). There's also more than a little Crumb here as well, since he was a huge influence on the comic-format letters I used to send friends in the days before you could waste all your time with meaningless nonsense on the Internet.
With all that being said, here's the mini in its entirety. Click to enlarge. My chicken scratch lettering is indecipherable otherwise.
With Saddam Hussein and Osama bin Laden dead and Muammar Qadaffi destined to meet a similar fate, the “war on terror” is in desperate need of a new poster child. Mahmoud Ahmadinejad and Iran have been painted as a possible candidate, but most of the world knows that “the threat from Iran” is simply U.S. and Israeli propaganda. So is there anyone left on Earth who can assume that frightening role, or will the powers that be now point to the stars to identify the whereabouts of their next manufactured villain?
Well, as ridiculous as it sounds, the mainstream media has been playing up the idea that an alien invasion from outer space is not only plausible, but might even be inevitable. Not to worry though, according to some globalist mouthpieces. That threat might turn out to be a blessing in disguise.
During a recent appearance on television news network CNN with Fareed Zakaria, Nobel Prize winning economist Paul Krugman suggested that a showdown with hostile life forms could be a good thing for the U.S. economy. He said: “If we discovered that space aliens were planning to attack and we needed a massive buildup to counter the space alien threat, and inflation and budget deficits took secondary place, this slump would be over in 18 months.”
The space alien theme came up again on a segment of Dylan Ratigan’s MSNBC television show where the topic was explored with guest Michio Kaku, a theoretical physicist who once defined terrorists as those who oppose world government.
Kaku claimed that NASA’s Kepler satellites have identified 50 planets that are “very much Earth-like.” Though he believes that most of the life forms on these planets would probably be nothing more than basic microbial germs, he doesn’t discount the possibility that a few could be home to intelligent beings—perhaps even more advanced than here on Earth—and that some of them could be hostile.
“The universe is 13.7 billion years old,” says Kaku. “It’s possible they have weapons we can’t even conceive of.”
Sounding like a globalist himself, Ratigan asked Kaku if the threat of an alien invasion could lead to a form of global governance in order to deal with things like climate change, global finance and the sovereignty of individual nations.
Smiling like the cat that ate the canary, Kaku replied by referencing a quote by Ronald Reagan, who in 1985 told the Soviet Union’s Mikhail Gorbachev: “I occasionally think how quickly our differences, worldwide, would vanish if we were facing an alien threat from outside this world.”
Then Kaku added: “If we are faced with a common enemy in outer space, it would indeed help to unite the Earth just the way Ronald Reagan said.”
Kaku’s dialogue is classic New World Order rhetoric. In 1993, the Club of Rome published The First Global Revolution that states: “In searching for a new enemy to unite us, we came up with the idea that pollution, the threat of global warming, water shortages, famine and the like would fit the bill.”
Thanks in large part to the Climategate scandal of 2009, where a number of scientists were outed for hyping the global warming threat,more people are starting to realize that global warming is nothing more than a hoax, and public support for globalist efforts to curb carbon emissions is on the wane. So is the NWO crowd now resorting to desperate measures—like hyping the threat of an alien invasion—to put their agenda back on course?
In addition to using the recent propaganda about an alien invasion as a pretext to reinvigorate the global warming movement, it could also serve a dual purpose by rallying American support for weaponizing space.
For over a year, covert launchings of military spacecraft have received almost no press at all. Since early 2010, the U.S. has sent two X-37B robotic planes into orbit. Though the Air Force flatly denies that this marks the beginning of space weaponization, some prominent Russians adamantly disagree.
According to South Africa’s Times Live, former Russian Air Force commander Anatoly Kornukov was furious upon learning of the X-37B’s launch in March 2010.
Kornukov said the spacecraft would significantly increase U.S. fighting power and demonstrates that America has ambitions to reach space and threaten Russia.
“The U.S. has completely spat on calls from Russia and the world to abandon plans for the deployment of weapons in space,” Kornukov said. “The aggressors from space could turn Russia into something like Iraq or Yugoslavia.”
UFOs and aliens beings have often been portrayed in mass media, whether it be movies or television shows. Most of these appearances were however heavily edited and calculated by the American government in order to communicate a specific attitude towards this mysterious phenomenon. What is the purpose of these efforts? This article looks at the fascinating history of government involvement in UFO-related movies and television shows.
This article originally appeared in the magazine 49th Parallel, Vol. 25 (Spring 2011) and is reproduced on Vigilant Citizen with the permission of the authors: Robbie Graham (University of Bristol)* & Matthew Alford (University of Bath)†.
* Robbie Graham is a doctoral candidate at the University of Bristol for a PhD examining Hollywood’s historical representations of UFOs and extraterrestrial visitation. He is also creator of the blog Silver Screen Saucers.
† Matthew Alford is the author of Reel Power: Hollywood Cinema and American Supremacy (Pluto Press, 2010). He received his PhD in Cinema and Politics from the University of Bath in 2008.
On 22 January 1958, the popular CBS television show Armstrong Circle Theatre presented an entire programme dedicated to the subject of unidentified flying objects entitled: “UFO: Enigma of the Skies.” Among the high-profile experts invited to speak on the show, retired US Navy Major Donald Keyhoe – director of the National Investigations Committee on Aerial Phenomena (NICAP) – was notable for his outspoken views on government secrecy surrounding the UFO phenomenon. Arguing against UFO reality on the programme were astronomer and vehement UFO sceptic Donald Menzel and Air Force representative Col. Spencer Whedon of the Air Technical Intelligence Center (ATIC). Their task should have been an easy one as the show’s content had been scripted in advance by CBS in conjunction with the US Air Force, and all guests – especially Keyhoe – had been instructed to read their preapproved material from a teleprompter.
When it came time for Keyhoe to speak, in frustration he veered from his script and stated to the nation: “And now I’m going to reveal something that has never been disclosed before…” 1 The rest of his announcement went unheard by television viewers: unbeknownst to Keyhoe, his microphone had been cut by the station. Keyhoe continued:
“For the last six months, we have been working with a congressional committee investigating official secrecy about UFOs. If all the evidence we have given this committee is made public in open hearings, it will absolutely prove that the UFOs are real machines under intelligent control.”2
After the show, CBS was inundated with calls and letters from viewers demanding to know why Keyhoe’s audio had been cut: “Call it what you like,” wrote one viewer, “but it appeared to be a very shocking display of censorship; and certainly offensive to the intelligence of the American public…” 3 Nine days later, CBS admitted it had been subject to official censorship. In a letter to a disgruntled viewer dated 31 January, 1958, CBS director of editing, Herbert A. Carlborg, stated:
“This program had been carefully cleared for security reasons. Therefore, it was the responsibility of this network to insure [sic] performance in accordance with pre-determined security standards. Any indication that there would be a deviation might lead to statements that neither this network nor the individuals on the program were authorized to release.”4
As will be evidenced in this essay, the US government’s historical efforts to censor UFO-related media products extend considerably further than the Keyhoe incident and have noticeably affected the content of numerous films and TV products over a six-decade time span. Before moving to examine some of these cases, however, it is necessary to ask: why should the US government wish to exert its influence over media representations of a subject as seemingly fanciful as UFOs? The answer to this question becomes clear with even a cursory glance at the government’s early documentation on the subject, which reflects a sustained concern about UFOs (if not a consensus on their origins) at the highest levels of the US military.
Background
The US government’s interest in UFOs dates back to the summer of 1947 when America’s national security apparatus was besieged by hundreds of reports from concerned citizens and military personnel of what appeared to be metallic disk-shaped objects traversing the nation’s skies, sometimes in formation and often at impossible speeds. On 24 June private aviator and businessman Kenneth Arnold reported seeing a chain of nine unusual objects over the Cascade Mountains in Washington State. Arnold described the objects’ movement as being “like a saucer if you skip it across the water,” inspiring the press to dub the mystery objects “flying saucers.” 5 Many hundreds of saucer sightings were reported worldwide in the months to follow.
In 1948 the US Air Force produced its Top Secret and highly controversial “Estimate of the Situation,” an official report concluding flying saucers to be interplanetary in origin.6 Other factions within the Air Force, however, favoured the more palatable (though perhaps no less alarming) idea that the saucers were the product of technological innovations in the Soviet Union. Either way, secrecy regarding the issue was of paramount importance as the question of whether the objects were physically real had already been affirmatively answered in the minds of America’s military leaders. In a once secret letter to Air Force Headquarters dated 23 September 1947, General Nathan Twining, head of Air Materiel Command (AMC), stated that flying saucers were “real and not visionary or fictitious,” that they had “metallic or light reflecting surface[s],” were “circular or elliptical in shape, flat on bottom and domed on top,” and were sometimes sighted in “well-kept formation flights varying from three to nine objects.” 7 In a previously Top Secret Canadian government document dating from 1950, Wilbert Smith – head of the Canadian government’s UFO research project, Magnet, noted with regard to UFOs that “The matter is the most highly classified subject in the United States government, rating higher even than the H-bomb.” 8
Today, numerous governments worldwide maintain dedicated and costly UFO study projects – collating and often investigating what collectively amount to thousands of UFO sighting reports made annually to authorities. In South America alone, the governments of Argentina,9 Uruguay,10 Peru,11 Chile12 and Brazil13 either operate UFO investigations units or actively collect UFO sighting reports through their militaries. Other governments, including those of France,14 New Zealand,15 Denmark,16 Canada17 and Russia,18 have in recent years released to the public thousands of pages of previously classified UFO files.
The UK government also is engaging with the public on the UFO issue through an ongoing process which has seen the release of thousands of previously classified UFO files through the National Archives.19 According to the UK Ministry of Defense, UFOs (or UAPs – Unidentified Aerial Phenomena – as the MoD refers to them) “certainly exist,” but are “still barely understood.”20 In a formerly secret 400-page assessment of the UFO phenomenon released in 2006 under the Freedom of Information Act, the UK Defence Intelligence Staff acknowledged that:
“The phenomena occur on a daily, world-wide basis… That UAP exist is indisputable. Credited with the ability to hover, land, take-off, accelerate to exceptional velocities and vanish, they can reportedly alter their direction of flight suddenly and clearly can exhibit aerodynamic characteristics well beyond those of any known aircraft or missile – either manned or unmanned.”21
The report also notes that “attempts by other nations to intercept the unexplained objects, which can clearly change position faster than an aircraft, have reportedly already caused fatalities,” and warns that, with the increasing density of UAP reports in the UK air defence region, “a small possibility may exist… of a head-on encounter with a UAP.”22
There appears, then, to be a broad consensus among the governments cited above: UFOs are objectively real – albeit currently not fully understood by science – worthy, at best, of focused study and, at the very least, of sustained monitoring in the interests of aviation safety and national security. Standing outside of this consensus is the United States, which is conspicuous for its almost total silence on the UFO issue, which it has maintained since the closure in 1969 of the Air Force’s long-running UFO investigations project: Blue Book.23 Despite shunning discussion of the phenomenon today, the US government’s historical concerns regarding UFOs clearly represent a significant passage – if not an entire chapter – in the history of its early Cold War machinations. Yet academic discourse surrounding the accepted historical meta-narrative of the US national security state rarely, if ever, accommodates serious discussion of UFOs. This is owed to the fact that, as observed by political scientists Alexander Wendt and Raymond Duvall: “Considerable work goes into ignoring UFOs, constituting them as objects only of ridicule and scorn… to that extent one may speak of a ‘UFO taboo,’ a prohibition in the authoritative public sphere on taking UFOs seriously.” 24
In turn, details of the government’s involvement in UFO-themed entertainment products are meagre in the pages of cinema and TV history, with the only substantive work on the subject to date having been produced by historian Lawrence Suid.25 Although Suid’s work is undeniably valuable (it is referenced extensively throughout this paper), it mischaracterises UFOs as a minor PR concern for the military – when in fact they were an issue of great sensitivity that initially raised serious questions regarding national security – and fails to acknowledge several cases of film and TV productions that the authorities actively sought to manipulate for political ends in line with government UFO policy.
This essay builds on Suid’s work, filling in the gaps, bringing it up to date and elucidating further the government’s historical motivations for exerting its influence over UFO-themed film and television productions. The government’s historical engagement with such fare can most thoroughly be discussed with regard to the Department of Defense (DoD), which has worked extensively with Hollywood in exchange for the right to edit scripts for sixty years with the principal aim of encouraging recruitment and retention of personnel, as detailed by Suid in his extensive tome Guts and Glory (2002) and by journalist David Robb. However, in practice the Pentagon’s remit is more wide-ranging, as it routinely promotes its own version of US history, as with its sanitisation of the military’s public image through its removal of a key character in Black Hawk Down (2002) who in real life had been convicted of raping a twelve-year-old boy;26 when it refused to cooperate on the feature film Counter Measures (1998) on the grounds that it did not want to remind the public of the Iran-Contra scandal;27 or when it removed a joke about “losing Vietnam” in the James Bond film Tomorrow Never Dies (1997).28
Life beyond fiction is being delivered to our doorstep and life will never be the same. We have just gone into the realm of the unbelievable and inconceivable and more of the same is on the way. The weather is worse than all the weathermen’s worst-case scenarios, the Earth is shaking below billions of people’s feet, volcanoes are blowing their tops, it’s flooding in many areas and bone dry in others.
We are faced with global cooling from all the volcanic materials being thrown up into the atmosphere, while at the same time the sun has been quiet, though scientists are warning that it will wake up with a fury soon. As the weather has turned cataclysmic our capacity to grow enough food to feed the Earth’s seven billion souls is being compromised, driving up prices while cutting dramatically into food reserves.
Events are converging in a most unusual and synchronistic manner. The nuclear news is going from bad to worse and it is now obvious that no matter how bad it gets officialdom is not going to admit, until the bitter end, the real dangers we as humans face. We now have declared nuclear meltdowns in progress meaning we can all look forward to increasing radiation levels on our planet for the rest of our lives, which will be shortened and worsened no matter what they say.
After lying about an event so serious and crucial to the health of every human being on planet earth, the Japanese government got around on the 16th of May finally admitting that reactors 1 through 3 at the Fukushima Daiichi Nuclear facility had probably started melting down only hours after the March 11th earthquake began. It is really sad that it took the government and TEPCO this long to tell the Japanese people the truth. There were little children continuing to go to school, drinking the milk and playing outside in the rain for months after these reactors had started to melt down in regions that were only 30 miles outside ground zero according to reports released throughout the period.
Should We Trust Anyone in the Mainstream?
I don’t think so. And I am both disappointed and alarmed to see Dr. Michio Kuku on television telling us that right behind the comet Elenin is an incoming asteroid the size of an aircraft carrier but don’t worry he says, it’s going to be a near miss. He was excited like a schoolboy and advised us all to get our binoculars to see it go ripping right by.
It seems more has been happening and threatening in the first six months of this year than in several previous decades put together. One amazing thing after another is appearing on the radar screen but most people are hypnotized and have not the slightest idea of what is threatening, nor do they want to listen to anything other than what big brother government is saying.
I was recently on a radio show in Hawaii. From the word go I said to the audience they were not going to like a word I was going to say because they have front row seats to what is happening in Japan. The winds are carrying most of the radiation across the Pacific and the first big stops are Hawaii, Alaska, then Canada and the continental United States. The hosts could hardly handle what I was saying and then they brought on a listener who was the type who thinks the increasing radiation is good for us and that the Earth is a giant cesspool just waiting to dilute the radiation, heavy metals and chemicals polluting our planet. It was the first radio show I have ever done that left me with a bad feeling.
A week ago I learned of geophysicist Dr. Mensur Omerbashich from Cornel University who claims that Elenin is having consequences on the earth’s crust from a long distance away and that planetary alignments are what determine seismic activity. But no one is taking that seriously because it means that the very small comet had something to do with the earthquake that shook Japan and the world to its core. I of course take this scientist and mathematician very seriously.
In September it will be much closer and will be between us and the Sun and will come into alignment with the Earth again on the 25th-27th. We are advised not to sweat! But I received a letter from Omerbashich and he told me, “Most visits to my page, many lasting for hours at a time, do come from the largest financial/insurance mega-corporations, banks, NASA, U.S. Navy, governments, geophysics schools, etc. So it seems fair to say that those who are supposed to listen—are listening.
Then to top it all off we heard that the citizens in Rome were in a panic about the 11th of May because a long dead celebrated seismologist Raffaele Bendandihad predicted an earthquake for that day in Italy. Decades ago Bendandihad based his work on the theory that planetary alignments influence seismic activity meaning earthquakes are quite predictable. This scientist had already made predictions that came true, so many Romans were concerned.
The 11th came but the ground started shaking and the buildings started falling in Spain with Italy ‘only’ sporting one volcano blowing up in sympathy. Just so happens that the earthquake in Spain is basically on the same latitude as Rome. How interesting that we get this confirmation of these gravitational theories just as we are laughing off the possibility that Elenin caused the Japanese mega quake.
Can’t Be True!
One would think all of this was enough, but no. Now we see pictures of a celestial object lighting up our sky like a second sun on Chinese TV. As we shall see below, the mainstream news has already advised that this might happen sometime soon because of an imminent supernova but no one is explaining how the Chinese have already seen it. Last week in my coverage of Elenin I twice showed videos from a mountain top observation point of a volcano in Japan and there also was a second sun.
The event occurring over the Chinese skies has left scientists scratching their heads. First we had the sun mysteriously climb above the horizon two days early in Greenland and a few months later we have two brilliant suns suddenly appear in the sky. Stranger still, people witnessing the outlandish sight noticed that the suns cast double shadows of objects on the ground. Scientists have thus agreed that it was not an image produced by digital manipulation or some artifice of the photographer. The suns—one fuzzy and orange, the other a crisp yellow orb—appeared side-by-side, one slightly higher than the other.
Two Suns
The Earth is believed to be getting a second sun burning in the sky before the end of 2012 because the second biggest star in the universe, Betelgeuse, is dying, which could lead to “multiple days of constant daylight.” Betelgeuse is losing mass, according to scientists, which indicates it should go supernova soon. But that is supposed to be sometime in the future so what is causing these sightings now? Don’t ask me but I bet someone at NASA knows but is not telling.
According to the senior lecturer of physics at the University of Southern Queensland, Dr. Brad Carter, light emitted from the explosion will be so bright that it will appear for a few weeks as a second sun in the sky and there may not be night during that period. Dr. Carter says that when the star does go supernova, Earth will be showered with particles. “They will flood through the Earth and bizarrely enough, even though the supernova we see visually will light up the night sky, 99 percent of the energy in the supernova is released in these particles that will come through our bodies and through the Earth with absolutely no harm whatsoever,” he said.
We have a new religion on earth and its basic philosophy is that everything that is dangerous is now declared safe.
Is this one sun or two in this picture? “When the sun rose on May 2nd, I was surprised to see a fully detached fireball prominence at the southwestern edge of the solar disk,” reports amateur astronomer Jan Timmermans of Valkenswaard of the Netherlands. “Just imagine, a ball of fire with the size of the Earth thrown high in the solar skies!” “I was stunned,” he continues. “The prominence was rather faint, so I had to use a lot of gain to capture it, hence the noise: ‘more gain = more grain.’ But I am pleased that I captured it!”
Adding yet another log into our wacked-out conspiracy theories undergirded by inconvenient facts bonfire, I'll point to this 2011 bombshell.
